Directed by Ingmar Bergman and released in it’s home country of Sweden for Television in 1984.
After The Rehearsal is the closest I’ll ever get to seeing an Ingmar Bergman play. Much like a play (and I’m sure Bergman or someone else has already made this into a play) the film takes place in one setting, a rehearsal studio. Despite the limited setting Bergman manages to span decades and helping that along are, as per usual, three splendid performances from Bergman regulars Erland Josephson, Lena Olin and Ingrid Thulin. Josephson and Thulin spend a good portion of the film arguing in a flashback while Olin sits, unconsciously aware of the argument (the film flashes back and forth between a younger version of her character and an older version).
While it’s weird to see a Bergman film that doesn’t at least in part touch on religious themes, he does explore many other familiar themes present in most of his films – including family and marriage. The exceptional screenplay is just another in the long line of incredible screenplays from a man who is, undeniably, the greatest writer in the history of cinema.